Official Exhibition for the International Program "Women to Watch": "A Book Arts Revolution"

2026.03.04 Wed -03.29 Sun

Exhibition name
A Book Arts Revolution
Period
2026年03月04日(水) -03月29日(日)
Opening hours
11:00 – 20:00
※3/27(金)は、表参道ヒルズ全館イベントのため、営業時間は11:00-15:00とさせていただきます。
Venue
AND COLLECTION Contemporary Art(表参道ヒルズ本館B2F)
Artist
saya irie sachiko kazama aiko miyanaga hanako murakami tomoko yoneda 
Other information
入場料:無料
主催:一般社団法人NMWA日本委員会

AND COLLECTION Contemporary Art will host
the official exhibition "A Book Arts Revolution",
in conjunction with the international program "Women to Watch"
run by the National Museum of Women in the Arts (NMWA),
based in Washington D.C., USA,
under the patronage of the NMWA Japan Committee.

 

This exhibition is part of an official program
for NMWA's 40th anniversary in 2027,
and aims to discover and introduce female artists
through an international network of 17 participating regions.
This is Japan's second participation,
following the previous exhibition, and will feature
the works of five female contemporary artists selected as Japanese candidates
by Yukie Kamiya, Chief Curator of the National Art Center, Tokyo.

 

The common international theme is "A Book Arts Revolution".
This will be an opportunity to widely introduce the creativity and potential of female artists
through expressions that diversely reflect contemporary society.

 

After this exhibition, in early April 2026,
one of the five exhibiting artists will be selected as the Japanese representative
to participate in the 8th "Women to Watch" exhibition,
scheduled to be held in the United States in 2027.

 

This will be a valuable opportunity to experience
the expressions of Japanese female artists within an international initiative.
We hope you will visit the exhibition.

 


About Merchandise Sales

NMWA (National Museum of Women in the Arts) is the world's first museum to collect and exhibit "only" works by women artists. We will be selling a limited number of tote bags featuring the design of its iconic building.

 

 

saya irie

入江 早耶

Completed her master's degree at Hiroshima City University Graduate School of Arts in 2009. Also studied at Weißensee Academy of Art Berlin. She explores the relationship between "representation and materiality" in visual culture through her unique method of "erasing" two-dimensional images such as printed materials and everyday objects, and creating three-dimensional works from the resulting eraser dust. In 2019, she held a solo exhibition "Innocent Ruins ~Labyrinth of Love~" at the Hyogo Prefectural Museum of Art.

sachiko kazama

風間 サチコ

Graduated from Musashino Art School, Department of Printmaking. Her expression centers on woodblock prints based on meticulous research, visualizing history and social structures primarily through the use of black. Recipient of the 2016 "Creative Tradition Award."

aiko miyanaga

宮永 愛子

Completed her master's degree at the Tokyo University of the Arts, Graduate School of Fine Arts. Using materials such as naphthalene, glass, salt, and leaf veins, she creates works that visualize time and explore the theme of "a world that continues to exist while changing." She has exhibited extensively both in Japan and internationally. In 2020, she received the 70th Minister of Education, Culture, Sports, Science and Technology Award for New Artists (Art Encouragement Prize).

hanako murakami

村上 華子

Graduated from the Aesthetics and Art History program at the University of Tokyo's Faculty of Letters. Completed her master's degree at the Graduate School of Film and New Media, Tokyo University of the Arts. She has trained across Europe, exploring the history of visual media through classic photographic techniques such as autochrome. Her major solo exhibitions include "Criterium 96" (Art Tower Mito, 2019) and "du désir de voir" (Pola Museum of Art, 2022).

tomoko yoneda

米田 知子

Studied photography at the University of Illinois at Chicago and the Royal College of Art. She has gained international acclaim for her work that explores the relationship between memory and place, quietly capturing battlefields and disaster-stricken areas. Participated in the Venice Biennale (2007) and the Shanghai Biennale (2018).

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